the quickening, by elizabeth rush
I know what it feels like to fear that there might not be many meaningful strategies left.
I know what it feels like to fear that there might not be many meaningful strategies left.
We act like our preferences matter, because that is the job late capitalism has given us.
Hyacinth recognizes what very few people wish to admit, that civilization has a price, and a high one.
In such hours the great roaring, indifferent world of London seemed to him a huge organization for mocking at his poverty
Everything you hold onto too tightly will die in your hands.
…you have to stop working from a place that is about making some invisible teacher happy.
…nothing humans do is real, and the trees don’t care, and we are all here together in dirt. This feels to me somehow like the opposite of despair.
So. Space settlements. Have we really thought this through?
Tenoxtitlan is unshakable, she said, but we are only passing through.
In current traffic conditions, a taxi from JFK takes about seven years to get to Lower Manhattan. It gave me a lot of time to think. The phrase I thought about was structural violence. The soaring new condos with their empty billionaire penthouses are panopticon eyes glaring at the property values below. While as a queer theatre kid I am contractually obligated to love New York, Succession and the art of Diamanda Galas and Basquiat and the memoirs of ballerinas and the novels of F. Scott Fitzgerald and Edith Wharton have always kept its icy, Gothic nature in sharp focus.
That’s incomplete, as anything about the city must necessarily be. We visited the Transit Museum in Brooklyn. It’s extraordinary, an entire subway station filled with buses and old carriages, their period advertisements intact. The surveyors and engineers and miners who built the subway challenge your gaze in exquisite photographs taken during construction. The contributions of immigrant and Black workers, and the way the political machines divided and exploited them, are carefully described.
It’s a terrific museum and I love museums, even the bad ones. I’m still thinking about an hour I spent last year at the museum of Las Vegas, New Mexico. It dwelt on Teddy Roosevelt’s Rough Riders, cowboys he recruited as cavalry whose exceedingly brief (and horseless) campaign in Cuba formed the mythos for his presidential bid. The Rough Riders took their name from Buffalo Bill Cody’s stage show, and included Ivy League athletes and glee club singers as well as frontiersmen. The white version of the Wild West is a PR campaign designed to erase the Black and indigenous history of these lands.
The Rough Riders met to celebrate their weeks-long active service every year for the next seventy years. In her book The White Possessive, Aileen Moreton-Robinson writes:
It takes a great deal of work to maintain Canada, the United States, Hawai’i, New Zealand, and Australia as white possessions.
Since I read that I haven’t been able to stop seeing the work, in everything from high-end residential architecture to little museums. What if we just… stopped?
A sense of my own mediocrity, a general lack of courage, particularly when it comes to writing.
…in the years 1985 and 1986 the City of San Francisco’s AIDS budget exceeded the federal government’s.
“If someone took my baby away from me, I would have done a lot more than get a haircut. I would have burned the city to the ground.”
Cynicism and nihilism will make you dry up, like soil compacted by neglect and abuse. But soil holds the memory of life, and with some water and a garden fork, you might be able to bring it back. It helps to remember that you’re not alone. Look around. Is it really true that everyone sees time as money?
To act in a way that is both sexist and racist, to maintain one’s class privilege, it is only necessary to act in the customary, ordinary, usual, even polite manner.
The old monks: “Sit in thy cell and thy cell will teach thee all things.” Helps if you’ve got a cell in the middle of downtown San Francisco.
After a brutal flight (migraine all the way across the Pacific) I walked off the jetbridge into a familiar wall of humidity, stepping around a giant crushed cockroach in the arrivals hall. Our AirBnB is a tiny cottage with five bedrooms, a miracle of small-space design. We are sitting in the carport-turned-patio. Above us are rainbow lorikeets and sulfur-crested cockatoos and the rain falling on the corrugated polycarbonate roof.
I need to set myself small side quests. I’d like to find a copy of Shady Acres: Power and Vested Interests in the Government of New South Wales and the Shaping of Sydney. I’d like to eat a really good sausage roll. I’d like to eat a really good vanilla slice.
…a quote from John Waters—“True success is figuring out your life and career so you never have to be around jerks.”
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