I miss you every day.

Here’s what I’ve been reading and rereading this whole awful week:

‘These women walked directly into the fire and through it, and they did not have to. And that they did it even as some of the gay men they took care of treated them with bitchiness, scorn, and contempt.

‘It was, at the time, not at all unusual for gay men to snicker as the bull dyke walked into the bar with her overalls and flannels and fades. Much of the time, it was casual ribbing which they took in stride. But it could also be laced with acid, especially when lesbians began gravitating toward a bar that had until then catered largely to men.

‘When the AIDS crisis struck, it would be many of these same women who would go straight from their jobs during the day to acting as caregivers at night. Because most of them lacked medical degrees, they were generally relegated to the most unpleasant tasks: wiping up puke and shit, cleaning up houses and apartments neglected for weeks and months. But not being directly responsible for medical care also made them the most convenient targets for the devastating anger and rage these men felt – many who’d been abandoned by their own family and friends.

‘These women walked directly into the fire. They came to the aid of gay men even when it was unclear how easily the virus could be transmitted. Transmission via needlestick was still a concern, so they often wore two or three layers of latex gloves to protect themselves, but more than once I saw them, in their haste and frustration, dispense with the gloves so that they could check for fevers, or hold a hand that hung listlessly from the edge of a bed whose sheets they had just laundered.

‘They provided aid, comfort, and medical care to men withering away in hospices, men who’d already lost their lovers and friends to the disease and spent their last months in agony. They’d been abandoned by their own families, and were it not for lesbians – many if not most of them volunteers – they would have suffered alone. And when there was nothing more medicine could do for them and their lungs began to fill with fluid, it was often these same women who’d be left to administer enough morphine to release them, given to them by the doctor who had left the room and would return 15 minutes later to sign the certificate (a common practice at the time).

‘I knew a woman around that time who’d had at one point been making bank in construction. But at the outset of the AIDS crisis she had abandoned her career to pursue nursing instead, and was close to her degree when we were hanging out. She was a big, hearty drinker, and fortunately so was I. We’d been utterly thrashed at a bar once when someone whispered a fairly benign but nonetheless unwelcoming comment about her. Middle fingers were exchanged, and afterwards, furious and indignant, I asked her, Why do you do it? Why did you abandon a career to take care of these assholes who still won’t pay you any respect?

‘She cut me a surprisingly severe look, held it and said, “Honey, because no one else is going to do it.” I remember feeling ashamed after that, because my fury and indignation weren’t going to clean blood and puke off the floor; it wasn’t going to do the shit that needed to get done.

‘HIV killed my friends, took my lover from me, and tore up my life. During that time, I did what I could. But nothing I did then or have ever been called to do in my life puts me anywhere near the example set by the lesbians I knew in the 80s and 90s. I’ve felt obligated to remember what they did, and to make sure other people remember it too.’

My friend Erik died of an antibiotic-resistant infection last month. I’ve been reading dispatches from his widow, the amazing Talor, as she rebuilds her life. She’s intuitive and attuned to her subconscious, which is probably why I noticed this morning that I was singing Björk’s “Black Lake” over and over in my head. It was the song I had on constant rotation after Dad died. Today was Dad’s birthday.

We went to SF Moma and I ended up sitting in front of Anselm Kiefer’s painting Margarete, a response to Paul Celan’s poem “Death Fugue”. To me, it’s about the suffering of complicity and of helplessness. Dad died and there was nothing I could do even to comfort him. I’ve barely cried for him. Even now, you’ll notice, I can’t talk about it. I can only point to Erik and Talor and Björk and Kiefer and Celan. My father’s death is the event horizon.

…the only way individuals can become sane about race is by plodding stubbornly on through the insanities.

I have rare blood, O neg, the universal donor. After Orlando I went to give blood and was turned away because my heart was racing (it was the day Jo Cox died; I wanted to say “Haven’t you read the news?” but the poor nurse was just looking out for me.) I’ve since had an EKG and everything’s fine with the ol’ ticker except, of course, that it’s broken. It was broken before Baton Rouge and Falcon Heights and Dallas; it’s shattered now. God in whom I can’t believe, please help this suffering country.

At the same time, I’ve been flattened by a vicious cold. All I can read is Helen Garner and Joan Didion and Diana Athill and this NYer piece on hospice, and all I can watch is Angels in America. It feels like 2005, when the black water drowned New Orleans, or 2003, when Baghdad burned. Baghdad’s still burning. I cling to these words of Roxane’s:

We have to do better than all this “the world is coming to an end.” The world is not coming to an end. The world is changing.

In whatever small way I can work towards justice and peace, let me work.

1. Have I really not blogged in three weeks? Oh well it’s not like anything of local or world-historical importance has happened HAHAHAHA dear god
2. I can’t really bring myself to say anything about Orlando or the assassination of Jo Cox except that AR-15s and high-capacity magazines should have been banned years ago, and all the lobbyists and politicians who have prevented this are little better than murderers themselves.
3. While I was trying to have a Saturday afternoon nap, much interrupted by sirens, a fire took out most of a block in the heart of our neighborhood, including our beloved local hardware store. We used to shop there even before we moved to Bernal. Several times a day I look at something that needs fixing around the house and have a muscle-memory of buying its replacement at Cole Hardware. All our neighbors got out in time, which is a great mercy.
4. I had an almost-perfect day at work on Thursday, then came home only to grow increasingly distressed over Brexit, which broke my Judtist heart. David Cameron’s decision to hold the referendum now replaces Bush’s invasion of Iraq as the most appalling error of judgment committed by any English-speaking politician in the course of my adult life. Europe is important. Bureaucracies may seem boring and idiotic but they are inexpressibly less boring and idiotic and catastrophic than the world wars that they occasionally, through the great efforts of many kind people and with considerable good luck, replace.
5. All of this and a lot of other stories that are not mine to tell have made the last few months very difficult, but there have been fierce joys as well: Hillary and Warren campaigning together; the enduring wonderfulness of Ginsberg and Sotomayor; the memory of my mother pouring out all her tremendous capacity for love in her last days, and the knowledge that her example will be with me for the rest of my life.

If there was no war then thousands of Aborigines were murdered in a centurylong, continent-wide crime wave tolerated by government. There seems to be no other option. It must be one or the other.

This is the double burden that those who are traumatised must carry. First the trauma, and then the inability of language to describe it.

Her ghost is in my body.

Ronan already knew he was a weapon; but he was trying to make up for it.

We’ve been talking a lot about presence and absence this week, hardly surprising with Mum and Dad’s ashes in boxes under the TV. Last year when I was tying myself in knots trying to figure out how to organize this trip, I ended up sending mail to my brothers and sister saying look, all I really want is a beach holiday somewhere so that we can drink Bailey’s and play mah jongg and scatter Mum at sea like she wanted. My brother suggested this place and so here we are.

The pictures do not do it justice. On the land side the garden is thoroughly overexcited with hibiscus flowers and rainbow lorikeets and needs to take a calming breath. Climb over the dunes and Diamond Beach is a long wild golden crescent of sand with perfect emerald rollers. The sea is indigo near the horizon and the palest, clearest green where it covers the sand like mercury across glass to make a mirror for the sky. At night the Milky Way is a river of light.

It doesn’t matter that we never came here with our parents. It is every beach holiday we ever had with them and each other. We are all trying to show up and be in the moment for one another and although I was joking when I tweeted a shadow-selfie with the caption “the artist is present,” I am noticing for the first time Abramovic’s double meaning: being present is the art. Don’t just do something, stand there.

Our parents were flawed humans but they left us in no doubt that we were loved. They dragged us to kite festivals and hot air ballooning weekends and zoos and observatories and science museums and Indian and Thai restaurants (pretty exotic in the 1980s). Even though we’re atheists, even though the ashes are not even really the last of them, just more of what they left behind like clothes, even though there isn’t really any such thing as closure, it feels okay to be together here in this beautiful place. At sunset we’ll let them go into the sea, and we’ll build a big fire on the sand, and we’ll sit around it and laugh a bit and cry a bit while the Southern stars come out.

1. It was held in a little garden attached to the University of New England’s School of Rural Medicine. The campus is all rolling hills and autumnal trees like a huge park. Upshot: parts of the ceremony, especially the introduction by softly-spoken Professor Geetha Ranmuthugala, were drowned out by a mob of cockatoos who were having a bloody good time in some nearby trees.
2. There were lots of family members there. That surprised me. Grief is so lonely and our predicament seems so peculiar that I forget there are a lot of people in situations just like ours. I loved all these mourning strangers very much.
3. The speakers included quite a lot of the medical students who had taken the anatomy course and dissected our loved ones’ donor bodies. The students talked about how the work informed their medical practice and, in many cases, drew them towards surgery. They were all women and/or people of color and I don’t think the university did that intentionally; I think it just happened. It was also a completely non-religious ceremony, thank Christ.
4. We got to speak to one of the students, who told us she had assisted with a dissection aimed at developing a new neurosurgical technique, keyhole surgery via the nose. She probably worked on Dad’s brain, Dad’s nose. She was being careful not to say anything to upset me! I told her that Dad would have been delighted to know that his gift helped train new surgeons and discover new techniques.
5. There were lots of us there, surviving members of my own decimated family: my husband and our kids and my brother and my sister and her kids. We all loved our wonderful, impossible Dad, and we all still love each other, and somehow we are piecing together some meaning out of all of this.

I had a pretty Gothically terrible week for various reasons beyond anyone’s particular control, mostly to do with generational inequity and centuries of systemic oppression. The least of it was that my trainer Facebooked a picture of me jumping Sam in which I’d lost my balance and caught him in the mouth. Salome insisted it was just a bad moment. I argued that I have learned nothing in all these years and am wasting my trainers’ time and ruining my good horse.

Salome got up an hour early this morning so she could bring her camera to my riding lesson and get better pictures of us. I love her so much right now I can hardly stand it. From such small kindnesses to one another we will build a less sucky world.

(Apparently my blog is just 24/7 schmaltz these days. I’m not sorry.)

…our deepest wants can never be fulfilled: our wants for youth, for a halt to aging, for the return of vanished ones, for eternal love, protection, significance, for immortality itself.

One night she watched the tram light coming towards her, the rails gleaming, the road slick with rain. The trams had been a little adventure in the beginning but now they were the emblem of the hard machine of her days. I could step out in front of it, she thought. That would put an end to the misery and the loneliness and the feeling that every day would be like this forever. It would hurt, she supposed. But if she was lucky it would all be over in a second. In the moment she stood with that choice, she was free of everyone else in the world…

My mother was a genius
My father commanded respect
When they died they left no instructions, just a legacy to protect
Death doesn’t discriminate between the sinners and the saints
It takes and it takes and it takes
And we keep living anyway
We rise and we fall and we break and we make our mistakes
And if there’s a reason I’m still alive
When everyone who loves me has died
I’m willing to wait for it
I’m willing to wait for it

I had a meeting Friday morning with a man who does Silicon Valley liaison for Australian startups.

“I first came here to visit SGI when I was working at a manufacturing company called Wormald,” he said.

“Wormald, huh?” I said. “Did you know Robin Chalmers?”

“Of course I knew Robin!” He said that Dad was the first management theorist he’d met, and described Dad’s model of companies plateauing when their products were commoditized, and needing to find new products their factories could make in order to achieve new growth. The Innovator’s Dilemma, in other words, but worked out from scratch five years before that book was first published.

I remember having the same conversation with Dad myself. It was in the early 1990s, which was probably Peak Dad. I was at uni, flailing around, trying to figure out who I was and what I was going to be. He was running the factory, building the fire systems for the Collins Class submarines and thinking deeply about Australian manufacturing and competitiveness. We talked endlessly about everything: astronomy, Cantor’s diagonal argument, Christianity, geopolitics, John Donne, Martin Gardner, maths. He was unbelievably patient with me, and loving and funny and thoughtful and silly and wise.

I’m very grateful for the reminder of what he was like then, even if it did hit me like a bullet in the chest. I miss him so much.

This is Jen and her daughter Reese heading out for Halloween in 2009.

You can almost see how long-awaited Reese was, what a fantastic and amazing turn of events she turned out to be. She had just learned to say her cousin Maggie’s name when this picture was taken. Look at Jen slinging the weight of that love and hope, all wrapped up in sparkles, casually onto one hip.

She was a big sister to me when I was a very small and anxious person. I miss her a lot.

Best capstone to a trilogy that, unbelievably, saw my OT3 made canon: Ancillary Mercy

Ann Leckie’s Imperial Radch series explores oppression both overt and covert, personhood and autonomy, cruelty and choice. It is also and very intimately about love and trauma and about the slow and painful process of recovering from having been used as a weapon. It is difficult and allusive and strange and I have seldom loved a story more.

Best memoir containing descriptions of the surface of living human brains: Do No Harm: Stories of Life, Death, and Brain Surgery

A few years ago Jeremy and I saw The English Surgeon, a beautiful documentary about Henry Marsh, and this book of his is an extraordinary complement, the effect of which is to make both texts deeper and richer. You walk away from the film thinking that Marsh is some kind of genius angel. The book is all about his fear, doubt and failures, failures that led to the deaths of patients he loved.

Best inspiration for a hit Broadway musical: Alexander Hamilton

Ron Chernow’s biography of the Founding Father is fantastic in its own right, but looking at how Lin-Manuel Miranda manipulated the timeline and even the construction of some of the main characters is a master class in creative transformation.

Best book whose first chapter will make you ugly-cry into your latte at Cafe St Jorge, to the mild alarm of your fellow guests: Voices from Chernobyl: The Oral History of a Nuclear Disaster

Svetlana Alexievich won the Nobel Prize this year but be warned: her stories about what actually happened in the aftermath of the explosion, and how social class dictated who suffered and who died, will fuck you right up.

Best and most moving farewell from a writer you have loved all your adult life: On the Move: A Life

What can I add to what has already been written about Oliver Sacks, his imaginative compassion, the generosity of spirit that grew so unexpectedly out of his privileged and circumscribed circumstances? Not much. (In close second place for this category: Clive James’ Cultural Amnesia.)

Best gift for your girlfriends of the crazy cat persuasion: The Dead Ladies Project: Exiles, Expats, and Ex-Countries

Disappointed in love, the brilliant Jessa Crispin packed up her apartment and couch-surfed her way across Europe, reading in search of reasons to go on living. A manifesto for all of us who are lost, lonely and ugly, outside and in.

Best book you bounced off hard as a stupid kid and now recognize for the straight-up masterpiece it is: Beloved

The insane, vindictive ghost baby? It’s us.

Best book-length elaboration on the theme that Black Lives Matter: Between the World and Me

Ta-Nehisi Coates’ open letter to his son may also turn out to be an enduring masterpiece, but for me the most intimate pleasure of it was its celebration of Paris, a city that for all its fucked-up flaws is one of the finest things human hands have made.

Best book that killed off my favorite character from the previous book in its opening scene: The Philosopher Kings

Jesus, Jo! This series is obviously written for the pure motherfucking joy of it, for the wish-fulfillment of standing shoulder to shoulder with the writers you adored and building a city even more beautiful than Paris. (And then finding out that you had overlooked some very important questions about personhood, autonomy, cruelty and choice.)

Most heartbreaking memorial to our own lost generation: And the Band Played On: Politics, People, and the AIDS Epidemic

An essential book and a companion to the equally essential The Gentrification of the Mind: Witness to a Lost Imagination, Randy Shilts’ history of the plague documents the appalling cost of it and the sheer inadequacy of our human response.

Most beautiful portrayal of raw grief: Men We Reaped

Five young men close to Jesmyn Ward died in four years, and this devastating meditation on their deaths brings their loss into razor-sharp focus.

Most accurate portrayal of Australia as an airless mining asteroid that turns men’s hearts to stone: This House of Grief

Helen Garner is our Janet Malcolm and this book is our Iphigenia in Forest Hills.

By the numbers:

Books by women: 7. People of color: 3. Gay men: 2. Straight white men: 2. (Is this the most charming sentence in Wikipedia? “Marsh is married to the social anthropologist Kate Fox and spends his spare time making furniture and keeping bees.” Kate Fox wrote Watching the English! BEST DINNER PARTY GUESTS.) I used to joke that I didn’t read books by straight white men because their concerns were too narrow and parochial, but it’s not a joke any more.

Australian writers: 1. Russian: 1. English: 3ish, although Jo Walton is Welsh and lives in Canada and Oliver Sacks spent most of his life in New York. American: 7.

Total books read: about 120. Either I am slowing down or I lose 30 books’ worth of capacity in each year in which one of my parents dies. Guess we’ll find out!

2000 miles

“I can hear people singing,” (and since I’m not allowed to listen to this playlist until after Thanksgiving) “it must be” Northern Hemisphere Midwinter Festival “Time.” Chrissie Hynde wrote this after The Pretenders’ first lead guitarist James Honeyman-Scott died of an overdose; as you’ll see, I like the sad carols. The ending of this song is sublimely 1980s; the band just repeats the chorus over and over until they end on a resounding chord. Jazz hands!

Chiron Beta Prime

So much for being nondenominational: because I’m a lapsed Anglican nerd, I sometimes wonder whether Jonathan Coulton (suspicious initials, those) named his protagonists the Andersons because it means “Son of Man” and whether he chose Chiron because Chi-Rho was a Greek monogram for Christ. That said, the song works equally well as an anticapitalist anthem, with the robot overlords representing limited liability corporations. Oh, and it’s hilarious.

Fairytale of New York

Mandatory, obvi. I usually start crying around “I could’ve been someone./ Well so could anyone.” Reminds me of when Rajit Singh returned our lost luggage and, years before that, when I met Shane MacGowan in Dublin, his broken teeth like tombstones on the red hills of his gums. I wish Kirsty MacColl were still alive.

Joy

This one makes me think of Jamey, who gave it to me, and of my mum, whose story it is. Tracey Thorn’s voice is a silver thread running through my marriage, from “Protection” as the anthem of our first year together to “Hatfield, 1980” for the summer we lived in Cambridge. Mum would have loved the lines: “We face down all the coming years/ And all that they destroy/ And in their face we throw our joy.” That was her basic rationale for all the mah jongg and Bailey’s.

River

Tracey’s Tinsel and Lights is such a great album that three tracks off it have landed on my playlist. This is a Joni Mitchell cover that earned its place for the lyrics: “I’m so hard to handle/ I’m selfish and I’m sad.” (No, YOU are.) I always think of Emma Thompson’s wonderful line from the mostly-reprehensible Love, Actually: “Joni Mitchell is the woman who taught your cold English wife how to feel.”

Sister Winter

A Sufjan Stevens cover, but I heard Tracey’s version first so it’s definitive to me. I love the strangeness and sensuality of the lyrics – “I kissed your ankle” – and Sister Winter as darkness and heartbreak, but also as an intimate relation. I love the friends waiting patiently for the suffering heart to recover. Demeter and Persephone are here, and so is Jonathan Shay’s Odysseus in America with its call for the communalization of trauma.

Jesus Christ the Apple Tree

Speaking of, that summer in Cambridge I wanted to hear the King’s College choir at last, but I was urged by a smiling Anglican to keep the girls behind the screen where we wouldn’t disturb the other congregants. Ah, the established church, ever eager to tuck its women and children away out of sight. Against that, though, set the pageant I attended at Holy Innocents in San Francisco, where the congregation discovered six-week-old Julia in her sling and urged me to take the role of Mary. I declined – I’m not that reconciled to my church damage – but I still have the tinsel crown Claire wore as a three-year-old angel. This strange old poem was given a mid-20thc setting by Elizabeth Poston. “It keeps my dying faith alive” – we’ll see, I guess.

Gaudete

Another silver thread through my life: My parents playing Steeleye Span when I was still too young to recognize the electric guitars and folk songs as incongruous with one another. Me carolling in York Street with the choir of Christchurch St Lawrence. Alex and I in Dublin discovering that we both loved this song. Maddy Pryor’s incredible voice was probably the prototype for my love for Kirsty Maccoll, Tracey Thorn and Vienna Teng. The ending of this song is ridiculously 1970s; the audio engineer just fades the choir out and you have to pretend that they’re walking away from you still singing.

O Holy Night

This one makes me think of Salome, because sometimes we read each others’ minds. Talk about incongruity, the ukuleles and xylophones making it sound like a school play. Yet everything that makes the Northern Hemisphere Midwinter Festival important to me is here: the long dark, the beloved dead, the newborn baby, the terrifying angels and their incomprehensible message. The star and our journey.

Atheist Christmas Carol

The newest addition, which I heard for the first time live on Boxing Day last year at the Freight & Salvage, with Claire in my arms. I gave this one to Tina after we rode our bikes to the Forest of Wind Chimes at Wilbur Hot Springs and cried for Jen. “It’s the season of bowing our heads in the wind/ And knowing we are not alone in fear/ Not alone in the dark.” That’s all I got. Grace coming out of the void, for some reason. It’s so cold now but spring will come again. Not a metaphor: physics.