This was Katherine May’s pandemic book, a book haunted by lockdowns and mass death. Needing to feel grounded, May dug into the earth beneath her feet. Not in an ickily sentimental way – she makes it clear that Whitstable’s stone circle is modern, and that the sacred spaces of Dungeness are its WW2-era sound mirrors and Derek Jarman’s Prospect Cottage. She admits that her garden is a mass of weeds and that staying up late to watch meteor showers is tiring and chilly.
May’s pragmatism makes awe accessible. She learns the names of wildflowers (viper’s bugloss! Known to Australians as Salvation Jane or Paterson’s curse) and attends a class on bees. I listened to this book between drives to Rancho Viejo and bike rides to Heron’s Head, my own sacred landscapes. Big storms are coming. There’s no way out but through, and enchantment is one of the ways through.
I am so profoundly torn about the shuttle program. It represented the democratization of space. Its astronaut class, the thirty-five new guys, was the first to include women and people of color. Dad and my brothers and I got up before dawn to watch Columbia’s first launch. When I took the kids to see Endeavour in Los Angeles, I cried. This awkward camel of a spacecraft made the universe bigger: no shuttle, no Hubble Ultra Deep Field. I’m such a fucking fangirl, I have NASA plates on my car.
But NASA straight up murdered the Challenger 7. The agency’s budget peaked during the Apollo program, and the diversity of astronaut class eight was an attempt to build public support for space exploration. It kind of worked! Everybody loved Sally Ride, the hot bi butch with the name right out of Mustang Sally! That line of reasoning led to putting a social studies teacher on top of a missile and, in the presence of her parents who were on camera as these events took place, blowing her up.
NASA’s position was: look at all we can do, with how little money! Everyone can play, even the girls and the brown people! Just keep letting us fly rockets. Politicians were all, I wish to associate myself with these impressive feats! But no, you can’t have any more money. Meanwhile engineers at Morton-Thiokol knew the O-rings would fail at low temperatures. There was an impassioned conference call about it the night before the launch. NASA had so many chances not to kill these seven incredible and accomplished people, and it missed them all.
And then seventeen years later, it did it again.
I think this particular book hit so hard in this election year because we are all of us helpless passengers on a spaceship out of control. Anyway, my hyperfixation – after this book I borrowed everything the SFPL had on the space programs. My standouts: Michael Collins is the best writer of the Apollo astronauts – as somebody somewhere said, his Carrying the Fire reads like EB White got a trip to the moon. First Man is an extraordinary, very literary biography of Armstrong, adapted into maybe my favorite space movie since The Martian. (Armstrong was a near-contemporary of the New Zealand writer Janet Frame, whose An Angel at my Table made a striking compare-and-contrast to First Man. Tl; dr much better to be a weird clever man in the 20th century than a weird clever woman.)
Bringing Columbia Home is the kind of awkwardly written but almost unbearably moving account of the recovery of those astronauts. Leaving Orbit, about the last flights of the shuttle, has a similarly elegiac mood. Finally, the podcast The Space Above Us, which deals with crewed space missions one at a time, kept me and Jeremy enthralled on an entire 12-hour road trip home from Portland. A gem of the genre.
Posted in bookmaggot, grief, history|Comments Off on favorite books i read in 2024: challenger
(I usually end up short-changing good books toward the end of my list so this year I’m going to split things up into separate reviews instead.) Ed Yong’s An Immense World turned up on everyone’s lists of favorites the year it came out, and deservedly so. Late to the party, I listened to the audiobook which Ed Yong himself read brilliantly. Not to be a shallow bitch but the narrator of an audiobook makes a huge difference. A bad narrator leaves you struggling to parse whatever sense the author was trying to make, whereas the author reading his own work competently draws you by gentle degrees all the way into his own sphere of perception.
Check out that segue! Because this book is about animals’ spheres of perception – their umwelt – and how their various sensory capabilities, so different from ours, mean that they live in overlapping but fundamentally nonidentical universes from us and from one another. This is, in fact, a book about empathy. However well the narrator reads, we can’t experience life from the point of view of another being, but in spite of the impossibility of doing so, it’s incredibly important to try.
I did think about my political opponents, listening to this book before the election. I tried to imagine the world from their point of view, and how their choices – ruinous from where I’m standing – might make sense to them. It was hard and probably futile but it was one small thing that helped me to clamber out of the impact crater in the awful days immediately after.
In January 2014, the four of us were flying home from a Christmas trip to Australia. We transited in Auckland and I called my mother, who had seen her oncologist while we were in the air. “He said that it is in my stomach, in a knot. He said that this is the end.” Whenever I fly through Auckland now I can feel it, my knees buckling, my 8yo and 11yo trying to hold me up. We flew on to San Francisco where I held my beloved and very elderly cat Bebe while I booked my own flight back to Australia. I left Jeremy to take care of those scared little kids, and I never saw Bebe again.
When I got to Barraba Mum had been set up in the palliative care room at the local hospital, which had its own lounge with foldout sofas. My brothers and her friends would come and go. We played mah jongg for hours. I curled up with Mum on the sofa and we watched the Last of the Summer Wine on my laptop. Her friends had made her a beautiful patchwork quilt and we wrapped ourselves in it. There was so much joy. The nurses said it sounded like we were having a family holiday, and we were. We told a lot of jokes. One morning I asked her what she wanted for breakfast: “Gin and tonic.” “Coming right up!”
I sometimes say that Mum went nova. In four weeks she poured out twenty years of unconditional love. When Bebe died, Mum held me and said, “It’s okay to cry.” I said “Mum, if I start crying, I’ll never stop.” She said, “Yes you will.” I think about that all the time.
When she died, the nurses let me help wash her body, and I cried, and I kissed her cooling flesh. It was the honor of my life to attend at my mother’s death. I think of the radiance of her love, and I think of my clarity in the moment. Let me carry that grace in my heart and hands all the days of my life.
I tested positive for Covid on Sunday, my first time. The last of my family to get it, nearly five years into this global panny-D in which we find ourselves, I thought I was doing the tests wrong.
I’d been run-down since Thursday. Cortland Street was closed to traffic for the first time but I missed Halloween. On Saturday afternoon I could only ride my bike as far as Potrero del Sol, to look at the Day of the Dead altars and the squares of the AIDS quilt in the crisp autumn sun. Marigolds and grief. I cried for the lost boys who should have been my queer elders.
By Saturday night my temperature was 100.6 and it took some effort to breathe. When I finally called my doctors on Sunday, wheezing, they sent me to the emergency room. In the friendly robot taxi I wept for the people who went to the ER with Covid in 2020, and who said goodbye to their families through iPads, and who died. Me, I had x-rays which ruled out pneumonia, was given paxlovid and all the steroids and came home to quarantine in the attic.
Election day is a more reliable trauma trigger even than the week in which both my parents died. I spent the morning text banking in Michigan, then I howled all through therapy, deep, racking sobs for all that we have lost. Afterwards the cats insisted on taking me out into the garden, where the linnets and phoebes and hummingbirds and crows had various constructive things to say.
I took portraits of the sticky monkeyflower and hummingbird sage and Douglas iris. I chatted to my sister in outback NSW. I scrubbed out the bird-feeder with hot water and soap. That’s about all I had in me, and now I’m back in my college kid’s bed, looking over Excelsior and San Bruno Mountain as the sun sets into the Pacific. May all beings know peace.
My auntie Barb has died. My Dad’s older sister. Sharp as a needle, funny and profoundly kind. Maybe my first role model and a person who saw me and loved me as I am from when I was a chaotic disaster youth all the way to middle age. She made 93. A life well lived. I will miss her always.
…there is no exclusively ‘white’ history of Australia—when we—First Nations people—have always been here. There is no ‘Black’ history of Australia in the last 240-plus years, either. We are each other’s shadows. To make sense of our shared history, we need to go back to the very beginning.
More than a few times she’d even prayed, selfishly, for The End to hold off until after she was dead and buried, so that she might be spared the pain of bearing witness to it.
Posted in bookmaggot, grief|Comments Off on true biz, by sara novic
For Easter I rewatched my favorite film, Jesus of Montreal, and reread my favorite novel, The Transmigration of Timothy Archer. Both of these, along with the sonnets of Donne and Hopkins, the complete novels of Graham Greene and the second season of Fleabag, describe unhappy love affairs with God, which I suppose makes that one of my favorite genres. At one point Angel Archer quotes Donne’s “Batter my heart, three-person’d God” in its entirety. My unsettled mind latched onto “Reason, thy viceroy in me” and has been worrying it like a broken tooth ever since.
It’s easier to leave some parts of the church than others. It’s easier to leave the smiling horrible minister who was raping a teenager in the vestry, and all the others like him, easier to leave the inerrancy of scripture and a scholarship fund called Sons of the Parish than it is to leave sixteenth century choral music and the enigma of Jesus himself, remote as the Nabateans one minute, immediate as any other Palestinian freedom-fighter the next. I think Jesus is hardest to understand, or maybe believe, when he is at his simplest and most direct. Sell everything you have and give it to the poor. Okay I get that, I do, but Jesus I’m genuinely worried I haven’t saved enough for retirement?
Consider the lilies of the field, says Jesus, and I consider them a lot actually. Louise, my house’s benevolent ghost, planted calla lilies and roses in the garden, and while I indulge her survivor roses, I dig the calla lilies out by their roots as soon as I catch so much as a tender leaf unfurling. Sure, I can say they’re invasive and toxic to cats and that I’m trying to nurture wildlife habitat here, and God could say the same about me. This is Ramaytush land, pull me out by my roots, three-person’d God, you coward. So the lilies of the field are cold comfort to be honest.
My high school librarian Marie Suchting, may her name be blessed forever, never reread anything – she didn’t have time – but I circle back endlessly searching for clues. How in God’s name did I end up here? What ridiculous superposition of texts made this set of choices seem logical? I just wanted to be safe and happy and not to have to hurt anyone, and here I am working in the tech industry. Humbling to acknowledge how much of my ethics I owe to Hawkeye Pierce, how great my debt to Felicity Kendall in The Good Life. Reason, thy viceroy in me, frankly derives its political legitimacy from highly dubious grounds.
