For Easter I rewatched my favorite film, Jesus of Montreal, and reread my favorite novel, The Transmigration of Timothy Archer. Both of these, along with the sonnets of Donne and Hopkins, the complete novels of Graham Greene and the second season of Fleabag, describe unhappy love affairs with God, which I suppose makes that one of my favorite genres. At one point Angel Archer quotes Donne’s “Batter my heart, three-person’d God” in its entirety. My unsettled mind latched onto “Reason, thy viceroy in me” and has been worrying it like a broken tooth ever since.
It’s easier to leave some parts of the church than others. It’s easier to leave the smiling horrible minister who was raping a teenager in the vestry, and all the others like him, easier to leave the inerrancy of scripture and a scholarship fund called Sons of the Parish than it is to leave sixteenth century choral music and the enigma of Jesus himself, remote as the Nabateans one minute, immediate as any other Palestinian freedom-fighter the next. I think Jesus is hardest to understand, or maybe believe, when he is at his simplest and most direct. Sell everything you have and give it to the poor. Okay I get that, I do, but Jesus I’m genuinely worried I haven’t saved enough for retirement?
Consider the lilies of the field, says Jesus, and I consider them a lot actually. Louise, my house’s benevolent ghost, planted calla lilies and roses in the garden, and while I indulge her survivor roses, I dig the calla lilies out by their roots as soon as I catch so much as a tender leaf unfurling. Sure, I can say they’re invasive and toxic to cats and that I’m trying to nurture wildlife habitat here, and God could say the same about me. This is Ramaytush land, pull me out by my roots, three-person’d God, you coward. So the lilies of the field are cold comfort to be honest.
My high school librarian Marie Suchting, may her name be blessed forever, never reread anything – she didn’t have time – but I circle back endlessly searching for clues. How in God’s name did I end up here? What ridiculous superposition of texts made this set of choices seem logical? I just wanted to be safe and happy and not to have to hurt anyone, and here I am working in the tech industry. Humbling to acknowledge how much of my ethics I owe to Hawkeye Pierce, how great my debt to Felicity Kendall in The Good Life. Reason, thy viceroy in me, frankly derives its political legitimacy from highly dubious grounds.
Having traced my mother’s family to the Kingdom of Mercia I am in gales of laughter over the title of the most important surviving text in the Mercian language: The Old English Martyrology. Even other people who knew my mother and grandmother don’t think it’s as funny as I do. Story of my life.
A lazy morning in bed with cups of tea and books and Alice cat, followed by Rebels Within and lattes at Craftsman & Wolves. (Two dogs came in: “Wolves! Truth in advertising.”)
To the house, where Jeremy expressed glee over the extremely solarpunk radiant floor and hot water heating system, while I sat on the stairs daydreaming, only for our starchitect Bonnie to show up unexpectedly for a look around. We all agreed that it is turning out to be a very cute house indeed.
To the barn, for a lazy amble on Bentley. Freya my war mare has a new family, and family photos were being taken in the golden hour. Freya, fat and happy, was striking warlike poses. “This is my person. This is my dog.” God bless the war mares and starchitects and wolves and craftsmen and rebels, every one.
A big week round these parts: Claire got her braces off. I got out of the moon boot, retrieved my car from the barn, got a job, and rode Bentley for the first time in two and a half months. We saw a heron and an eagle mantled over its prey. Bentley, as whorled in his winter coat as a bear, arched his neck and stepped prettily through the mud. If I never jump again, if I never even trot, I will be so happy just to be able to sit on a horse, walking around the park like Queen Elizabeth, looking at the world more charitably through a pair of pricked ears.
Alain’s going home next week and this distresses me, so we climbed Mount Tam about it.
I love that mountain. It’s a magical island above a sea of Karl the Fog. From up there you can see San Francisco as it really is: a city made of dreams.
We also took in the usual suspects: the Japanese Tea Gardens, Cal Academy, De Young, Japantown Mall and SF MOMA. Al had seen most (all?) of these before but it’s always nice to look at things from a different point of view.
Alain wanted to visit Legoland, so I plotted a route to Carlsbad that took in La Brea on the way. I was about 13 when Dad came home from a business trip to LA, overflowing with excitement about the tar pits, the dire wolves and the saber tooths, the bison, the sloths and oh my God, the mastodons.
I went looking for that Dad, of course. Young Dad, enthusiastic Dad, the Dad who brought the world to life for me. He isn’t there, what with being dead and all, but he was less not-there than usual. Having Alain with me was part of it. Another part was seeing Oscar Isaac in Hamlet a couple of weeks ago, sitting at his dead father’s feet with his head bowed. I cried for his grief as I’ve been unable to cry for my own.
It’s hard to make fossils, but in the tar pits, the conditions are just right. This display includes less than a tenth of the dire wolf skulls alone. La Brea’s full yield is in the hundreds of thousands. My own tar pits, the darknesses that pull me under, are likewise rich in ice age bone jumbles. My job is to uncover them with care, and to document the shit out of them.
I had a pretty Gothically terrible week for various reasons beyond anyone’s particular control, mostly to do with generational inequity and centuries of systemic oppression. The least of it was that my trainer Facebooked a picture of me jumping Sam in which I’d lost my balance and caught him in the mouth. Salome insisted it was just a bad moment. I argued that I have learned nothing in all these years and am wasting my trainers’ time and ruining my good horse.
Salome got up an hour early this morning so she could bring her camera to my riding lesson and get better pictures of us. I love her so much right now I can hardly stand it. From such small kindnesses to one another we will build a less sucky world.
(Apparently my blog is just 24/7 schmaltz these days. I’m not sorry.)
“I can hear people singing,” (and since I’m not allowed to listen to this playlist until after Thanksgiving) “it must be” Northern Hemisphere Midwinter Festival “Time.” Chrissie Hynde wrote this after The Pretenders’ first lead guitarist James Honeyman-Scott died of an overdose; as you’ll see, I like the sad carols. The ending of this song is sublimely 1980s; the band just repeats the chorus over and over until they end on a resounding chord. Jazz hands!
So much for being nondenominational: because I’m a lapsed Anglican nerd, I sometimes wonder whether Jonathan Coulton (suspicious initials, those) named his protagonists the Andersons because it means “Son of Man” and whether he chose Chiron because Chi-Rho was a Greek monogram for Christ. That said, the song works equally well as an anticapitalist anthem, with the robot overlords representing limited liability corporations. Oh, and it’s hilarious.
Mandatory, obvi. I usually start crying around “I could’ve been someone./ Well so could anyone.” Reminds me of when Rajit Singh returned our lost luggage and, years before that, when I met Shane MacGowan in Dublin, his broken teeth like tombstones on the red hills of his gums. I wish Kirsty MacColl were still alive.
This one makes me think of Jamey, who gave it to me, and of my mum, whose story it is. Tracey Thorn’s voice is a silver thread running through my marriage, from “Protection” as the anthem of our first year together to “Hatfield, 1980” for the summer we lived in Cambridge. Mum would have loved the lines: “We face down all the coming years/ And all that they destroy/ And in their face we throw our joy.” That was her basic rationale for all the mah jongg and Bailey’s.
Tracey’s Tinsel and Lights is such a great album that three tracks off it have landed on my playlist. This is a Joni Mitchell cover that earned its place for the lyrics: “I’m so hard to handle/ I’m selfish and I’m sad.” (No, YOU are.) I always think of Emma Thompson’s wonderful line from the mostly-reprehensible Love, Actually: “Joni Mitchell is the woman who taught your cold English wife how to feel.”
A Sufjan Stevens cover, but I heard Tracey’s version first so it’s definitive to me. I love the strangeness and sensuality of the lyrics – “I kissed your ankle” – and Sister Winter as darkness and heartbreak, but also as an intimate relation. I love the friends waiting patiently for the suffering heart to recover. Demeter and Persephone are here, and so is Jonathan Shay’s Odysseus in America with its call for the communalization of trauma.
Speaking of, that summer in Cambridge I wanted to hear the King’s College choir at last, but I was urged by a smiling Anglican to keep the girls behind the screen where we wouldn’t disturb the other congregants. Ah, the established church, ever eager to tuck its women and children away out of sight. Against that, though, set the pageant I attended at Holy Innocents in San Francisco, where the congregation discovered six-week-old Julia in her sling and urged me to take the role of Mary. I declined – I’m not that reconciled to my church damage – but I still have the tinsel crown Claire wore as a three-year-old angel. This strange old poem was given a mid-20thc setting by Elizabeth Poston. “It keeps my dying faith alive” – we’ll see, I guess.
Another silver thread through my life: My parents playing Steeleye Span when I was still too young to recognize the electric guitars and folk songs as incongruous with one another. Me carolling in York Street with the choir of Christchurch St Lawrence. Alex and I in Dublin discovering that we both loved this song. Maddy Pryor’s incredible voice was probably the prototype for my love for Kirsty Maccoll, Tracey Thorn and Vienna Teng. The ending of this song is ridiculously 1970s; the audio engineer just fades the choir out and you have to pretend that they’re walking away from you still singing.
This one makes me think of Salome, because sometimes we read each others’ minds. Talk about incongruity, the ukuleles and xylophones making it sound like a school play. Yet everything that makes the Northern Hemisphere Midwinter Festival important to me is here: the long dark, the beloved dead, the newborn baby, the terrifying angels and their incomprehensible message. The star and our journey.
The newest addition, which I heard for the first time live on Boxing Day last year at the Freight & Salvage, with Claire in my arms. I gave this one to Tina after we rode our bikes to the Forest of Wind Chimes at Wilbur Hot Springs and cried for Jen. “It’s the season of bowing our heads in the wind/ And knowing we are not alone in fear/ Not alone in the dark.” That’s all I got. Grace coming out of the void, for some reason. It’s so cold now but spring will come again. Not a metaphor: physics.
1. With my dearest darling bad horse Boo Bear living out his retirement at a lovely farm upstate (no, really, he aten’t ded), I have a new horse, Sam. He is a liver chestnut so dark and shiny that he looks like he was cast in bronze or, possibly, treacle. He is scopey and athletic but also kind and forgiving, sensitive yet gentle as a lamb. He is an education. He makes me a better rider.
2. The worst of grief bogs you down in the past. As I feel myself starting to come out of it, I’ve been getting these little glimpses of a future I might like to live in, enough that I’ve been making a list: Aziz Ansari’s new comedy Master of None, Trevor Noah as host of The Daily Show and, of course, on endless repeat, Lin-Manuel Miranda’s Hamilton.
3. Many pixels have been spilled praising Hamilton showstoppers like “Satisfied” and “Wait For It”, because those songs are amazing. This week, though, I particularly love:
“One Last Time”, because in relinquishing the presidency, George Washington paved the way for term limits and the peaceful transfer of power between rival factions, two of the things I love best about the American political system; and
“The World Was Wide Enough”, because Aaron Burr is such an irresistibly sympathetic character that he shows us how to make space for the people with whom we disagree, which seems particularly important this week.
It is difficult to say anything about the massacres in Paris, except how sorry I am for those who have been hurt, and how desperately I wish for peace.
4. I tried to make pavlova for Mum’s birthday, a pretty Quixotic endeavor considering I’ve never yet succeeded at meringue. After two dismal failures to achieve glossy peaks, I stuck a sort of eggy soup in the oven, wept briefly and discovered online that our Bamix is almost certainly the problem. It doesn’t introduce enough air to allow the egg white to achieve the proper foaminess. So I ordered a hand mixer and just now, the egg soup came out of the oven as a delicately browned giant cookie, which we all look forward to eating.
5. “Brown liquor,” said Jeremy after he had mopped up my eggy tears. I poured us two glasses of the 12 year old Bunnahabhain and we clinked our glasses: “To Jean.” My mother gave me my love for animals and my righteous anger at the world’s injustices, and she was a much better pastrychef than I am. I miss her every day, but I am very, very glad that she was my mother.
Me: Heather wants to borrow Little Poppies so she can paint Big Poppies. Yay! Go Big Poppy!
Alain: Is that a sports thing?
Jeremy: Yeah, maybe baseball?
Alain: I know as much about baseball as you know about cricket.
Me: What, nothing?
Alain: We lost the Ashes!
Jeremy: That was careless! Where did you have them last?
Alain: Not me, the Australian team.
Me: Can they retrace their steps?
Alain: By the way, you have leprosy.
Me: Sunburn.
Jeremy: From when we went bike riding.
Me: I was pulling off these sheets of skin and offering them to Jeremy.
Alain: Ew!
Me: He said: “Thanks! I’ll make a – No, I won’t say it.” I said: “What? A tiny me? A tiny penis?” He said: “I don’t want to say.” I said: “I will love you no matter what!” He said: “A lampshade.” I said: “EW NO BAD NO UNSAY IT.”
Jeremy: So now it’s been said again.
Me: “YOU ARE BAD AND SHOULD FEEL BAD GET OUT.”
Alain, to Jeremy: You should have gone with the Mini-Me.
Jeremy: A tiny wife!
Me: Poor Little, Poor Little Rachel.
Jeremy: Like Keira Knightley. Remember what Patrick said about her?
Me: “She is so wee!” You could keep her in your pocket.
1. A recycled Twitter joke: I posted this last Tuesday and my friend Matthew asked whether the Kaiju were under water, so I said that they were, and that this picture was taken from Jeremy’s and my Jaeger, the Frock Advisory. Seriously, though, look at my beautiful city.
2. My big brother Alain arrived on Thursday and is now an essential member of the household and may not leave. We went out for margaritas with a bunch of folks on Saturday and all got thoroughly roaring and ordered Pizzahacker on the way home. Danny converted Al to the cult of Ingress and now he is part of the Resistance, firing energy weapons into interdimensional portals as he walks around the Mission. (It cracks me up that every technolibertarian and privacy activist I know is in thrall to this sinister surveillance weapon of a game.)
3. Nick-the-horse and I had a lesson with Colin in the Grand Prix arena and, in between very embarrassing refusals, jumped up to a meter ten. It’s the very lowest level of jumping that anyone takes remotely seriously, it’s my goal height and it scared the living crap out of me. But we jumped it. It turns out that my snuggly goober Nicky Boo Bear is an imported Dutch Warmblood from a stallion line that has produced (notoriously badly-behaved) Grand Prix horses in both jumping and dressage. A frog prince.
4. Jeremy and I went to NASA Ames to wait for the New Horizons spacecraft to phone home. That’s us in front of the beautiful Hangar One.
I love NASA as I love national parks and missile silos converted into marine mammal rescue centers, which is to say, immoderately. They kept describing the spacecraft as the size of a grand piano, so now that is how I picture it, a golden Steinway hurtling through the dwarf planet system, exploring strange new worlds, boldly going. A scientific instrument.
1. Yeah so that happened and it was awful. I ordered flowers for Milton’s funeral which made me mad and sad, not that I grudged him the flowers but that I was so angry with him for being dead. I think I also wanted to be at the funeral so that I could be with other people who knew him and could understand what his death meant. Jeremy met him a few times but didn’t know him well and otherwise I was alone with it, which always sucks and is boring.
2. Otherwise and weirdly I am feeling much better, having shaken off the last of the horrible Chicago cold and consequent lingering bronchitis and what was evidently some kind of post-viral malaise that plunged me back into the worst days of having an undiagnosed anxiety disorder in my teens and 20s. I gotta give myself credit for spending the last dozen years taking meds and getting enough exercise and sleep and healthy food, because given the opportunity to directly compare my current and former emotional states, it’s clear that in spite of all the, you know, wrenching grief, my baseline mood is way better than it used to be.
3. I am finally reading (listening in the car to) And the Band Played On, Randy Shilts’ beautifully furious book about the early years of the AIDS epidemic; uneasy stuff when you are well, let alone when you are paranoid and sick. Excellent narrative history turns you into the Doctor visiting a Fixed Point In Time: it is 1980 and I am standing in the Ice Palace on Fire Island at 1am, looking at all the gorgeous men on the dance floor, knowing that there is nothing I or anyone else can do to save them. I am so, so sorry.
4. Speaking of beautiful fury, the new Mad Max movie is an exquisitely-researched and historically accurate documentary about my childhood and it gives me life. I got properly into the spirit of it too, getting rear-ended hard on the way to the cinema, jumping out of poor banged-up Mercy of Kalr in the middle of Van Ness and screaming at the other driver and kicking his license plate. He was at fault like San Andreas, of course, so his insurance covers everything including the rental on the piece-of-garbage Chevy Sonic I am driving around while Mercy is at the body shop. Her name is Lieutenant Seivarden, and she self-identifies as a small war rig.
5. Last night I dreamed I checked into a hotel where I was shown to a suite that I had to share with strangers who invaded my personal space, and when I complained to the staff they made fun of my accent and lost my favourite jacket, and when I realized that I was in a dramatization of my own mundane fears and insecurities I decided I was probably dreaming and that if I was, I might as well see Mum, so I turned around and there she was, wearing red and orange and gold and looking radiantly well and laughing. So I hugged her a lot.
Time continues to pass. Wednesday would’ve been Mum and Dad’s 55th anniversary. Thursday morning, I learned Terry Pratchett had died as I drove myself to the dentist. I bawled my eyes out, and as a result my pain tolerance was too low even for the water pick. My hygienist, Lisa, was super sweet about it. After that I had to meet with my tax accountant.
Being a grownup? Sucks.
It’s Pi Day, by the inexplicable American reckoning. I was kicking myself for not organizing pies – the line at Mission Pie is doubtless out the door, it was last year – when I remembered that we own the means of production! Claire’s hard at work on her Key Lime Pie, and I have the makings of a strawberry/apple and a tarte tatin, when she’s done.
