“It’s about giving up,” she told me. “You get to a point where you just have to give up. And then you learn to be honest.”

Now that you’ve taken the bread, what are you going to do?

“How do you pray?” I asked Lynn. “Well,” she said, “usually I start off, ‘Okay, what the hell is going on here, God?'”

I started listening to Siddhartha Mukherjee’s The Gene: An Intimate History (having finished up Drew Gilpin Faust’s This Republic of Suffering, which traces the American way of death back to the Civil War, and is excellent.) Mukherjee’s Emperor of Maladies made me cry buckets and also gave me an inkling of insight when it described “cancer pathways” – specific sequences of gene mutations that lead to specific conditions.

I couldn’t wait for The Gene to come out and so far it’s even better than Emperor. He talks about his paternal uncles, Rajesh and Jagu, who suffered from bipolar disorder and schizophrenia, and how the trauma of Partition exacerbated their illnesses. This immediately after I read Timothy Knatchbull’s From a Clear Blue Sky about the Mountbatten bomb. The consequences of British imperialism run through both families like another inherited trait.

Mukherjee made me laugh out loud when he described Darwin resolutely ignoring the theological consequences of his research as the idea of evolution dawned on him, calling this “the separation of church and state of mind.”

I first encountered Darwin as a teenager in my Dad’s Stephen Jay Gould and Dawkins books, which sounded every bit as self-satisfied as the religious books I was reading at the same time. Darwin came back around later, long after I’d lost my faith, when I read Janet Browne’s wonderful biographies of him. She described how seriously he took his reading, and in response, I started keeping my own log of the books I had read.

As a devout Christian and then as an angry atheist, a lot of Darwin was lost on me. If you refuse to engage with the central struggle of his life, between his faith in meaning and what his observations taught him, you miss so much. I see in Darwin now what I saw in La Sagrada Familia in Barcelona: that this world is more beautiful than it needs to be; that even when you understand its underlying principles, its glory can bring you to your knees.

“There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”

If there was no war then thousands of Aborigines were murdered in a centurylong, continent-wide crime wave tolerated by government. There seems to be no other option. It must be one or the other.

This is the double burden that those who are traumatised must carry. First the trauma, and then the inability of language to describe it.

Her ghost is in my body.

Ronan already knew he was a weapon; but he was trying to make up for it.

…our deepest wants can never be fulfilled: our wants for youth, for a halt to aging, for the return of vanished ones, for eternal love, protection, significance, for immortality itself.

One night she watched the tram light coming towards her, the rails gleaming, the road slick with rain. The trams had been a little adventure in the beginning but now they were the emblem of the hard machine of her days. I could step out in front of it, she thought. That would put an end to the misery and the loneliness and the feeling that every day would be like this forever. It would hurt, she supposed. But if she was lucky it would all be over in a second. In the moment she stood with that choice, she was free of everyone else in the world…

…active listening was hard work.

We don’t need better emotional communication from machines. We need people to have more empathy. The reason the Uncanny Valley exists is because humans created it to put other people into. It’s how we justify killing each other.

It’s not unlike colony collapse disorder, but for humans.

How difficult it was to find one’s way, how difficult it was not to violate any of the incredibly detailed male regulations.

Merit was not enough, something else was required, and I didn’t have it nor did I know how to learn it.

Maybe there’s something mistaken in this desire men have to instruct us; I was young at the time, and I didn’t realize that in his wish to transform me was the proof that he didn’t like me as I was, he wanted me to be different, or, rather, he didn’t want just a woman, he wanted the woman he imagined he himself would be if he were a woman.

Naples was the great European metropolis where faith in technology, in science, in economic development, in the kindness of nature, in history that leads of necessity to improvement, in democracy, was revealed, most clearly and far in advance, to be completely without foundation.

…in my head, everything is always so tangled. I am such a damaged thing.

“Do you have a better idea?” she demanded. “Maybe we can hurl some stuff into the underbrush! Or hit something! That solves everything! Maybe we can be really manly and break things!”

Blue tried not to look at Gansey’s boat shoes; she felt better about him as a person if she pretended he wasn’t wearing them.

Best capstone to a trilogy that, unbelievably, saw my OT3 made canon: Ancillary Mercy

Ann Leckie’s Imperial Radch series explores oppression both overt and covert, personhood and autonomy, cruelty and choice. It is also and very intimately about love and trauma and about the slow and painful process of recovering from having been used as a weapon. It is difficult and allusive and strange and I have seldom loved a story more.

Best memoir containing descriptions of the surface of living human brains: Do No Harm: Stories of Life, Death, and Brain Surgery

A few years ago Jeremy and I saw The English Surgeon, a beautiful documentary about Henry Marsh, and this book of his is an extraordinary complement, the effect of which is to make both texts deeper and richer. You walk away from the film thinking that Marsh is some kind of genius angel. The book is all about his fear, doubt and failures, failures that led to the deaths of patients he loved.

Best inspiration for a hit Broadway musical: Alexander Hamilton

Ron Chernow’s biography of the Founding Father is fantastic in its own right, but looking at how Lin-Manuel Miranda manipulated the timeline and even the construction of some of the main characters is a master class in creative transformation.

Best book whose first chapter will make you ugly-cry into your latte at Cafe St Jorge, to the mild alarm of your fellow guests: Voices from Chernobyl: The Oral History of a Nuclear Disaster

Svetlana Alexievich won the Nobel Prize this year but be warned: her stories about what actually happened in the aftermath of the explosion, and how social class dictated who suffered and who died, will fuck you right up.

Best and most moving farewell from a writer you have loved all your adult life: On the Move: A Life

What can I add to what has already been written about Oliver Sacks, his imaginative compassion, the generosity of spirit that grew so unexpectedly out of his privileged and circumscribed circumstances? Not much. (In close second place for this category: Clive James’ Cultural Amnesia.)

Best gift for your girlfriends of the crazy cat persuasion: The Dead Ladies Project: Exiles, Expats, and Ex-Countries

Disappointed in love, the brilliant Jessa Crispin packed up her apartment and couch-surfed her way across Europe, reading in search of reasons to go on living. A manifesto for all of us who are lost, lonely and ugly, outside and in.

Best book you bounced off hard as a stupid kid and now recognize for the straight-up masterpiece it is: Beloved

The insane, vindictive ghost baby? It’s us.

Best book-length elaboration on the theme that Black Lives Matter: Between the World and Me

Ta-Nehisi Coates’ open letter to his son may also turn out to be an enduring masterpiece, but for me the most intimate pleasure of it was its celebration of Paris, a city that for all its fucked-up flaws is one of the finest things human hands have made.

Best book that killed off my favorite character from the previous book in its opening scene: The Philosopher Kings

Jesus, Jo! This series is obviously written for the pure motherfucking joy of it, for the wish-fulfillment of standing shoulder to shoulder with the writers you adored and building a city even more beautiful than Paris. (And then finding out that you had overlooked some very important questions about personhood, autonomy, cruelty and choice.)

Most heartbreaking memorial to our own lost generation: And the Band Played On: Politics, People, and the AIDS Epidemic

An essential book and a companion to the equally essential The Gentrification of the Mind: Witness to a Lost Imagination, Randy Shilts’ history of the plague documents the appalling cost of it and the sheer inadequacy of our human response.

Most beautiful portrayal of raw grief: Men We Reaped

Five young men close to Jesmyn Ward died in four years, and this devastating meditation on their deaths brings their loss into razor-sharp focus.

Most accurate portrayal of Australia as an airless mining asteroid that turns men’s hearts to stone: This House of Grief

Helen Garner is our Janet Malcolm and this book is our Iphigenia in Forest Hills.

By the numbers:

Books by women: 7. People of color: 3. Gay men: 2. Straight white men: 2. (Is this the most charming sentence in Wikipedia? “Marsh is married to the social anthropologist Kate Fox and spends his spare time making furniture and keeping bees.” Kate Fox wrote Watching the English! BEST DINNER PARTY GUESTS.) I used to joke that I didn’t read books by straight white men because their concerns were too narrow and parochial, but it’s not a joke any more.

Australian writers: 1. Russian: 1. English: 3ish, although Jo Walton is Welsh and lives in Canada and Oliver Sacks spent most of his life in New York. American: 7.

Total books read: about 120. Either I am slowing down or I lose 30 books’ worth of capacity in each year in which one of my parents dies. Guess we’ll find out!

I feel no nostalgia for our childhood: it was full of violence. Every sort of thing happened, at home and outside, every day, but I don’t recall having ever thought that the life we had there was particularly bad.

She said that we didn’t know anything, either as children or now, that we were therefore not in a position to understand anything, that everything in the neighborhood, every stone or piece of wood, everything, anything you could name, was already there before us, but we had grown up without realizing it, without ever even thinking about it.

She seemed as usual to have no need of male attention. We, instead, out in the cold, in the midst of that chaos, without that attention couldn’t give ourselves meaning.

…in the last twenty years I had grown accustomed to making my own decisions, without reference to anyone else. To having authority over my own life.

“We are weapons she made for her own use.”

“…You’re used to people being attached to you. Or being fond of you. Or depending on you. Not loving you, not really. So I think it doesn’t occur to you that it’s something that might actually happen.” “Oh,” I said.

“Oh, Cousin,” replied Sphene. “We sit here arguing, we can hardly agree on anything, and then you go straight to my heart like that. We must be family.”

“Can I be a cousin, too?” asked Station, from the wall console. “Of course you can, Station,” I said. “You always have been.”

Let’s say, for a moment, that the character of a city has an effect on its inhabitants, and that it sets the frequency on which it calls out to the migratory. People who are tuned a certain way will heed the call almost without knowing why. Thinking they’ve chosen this city, they’ll never know that the city chose them.

It’s a favorite myth in our culture that hardship makes you a better person, that it is merely the grindstone on which your essence is refined and polished. But the truth is that scarcity, depression, thwarted ambition, and suffering most often leave the person a little twisted.

We all occupy space on top of one atrocity or another, blood has coated every square inch of this earth.

My childhood was one of deprivation. Not deprivation in a material sense but a deprivation of beauty. Which might not sound like much, unless you live on beauty, unless it is your air and water and religion.

The south of France of today is what happens to a place when all the artists, the queers, and the misfits have been driven out by rising prices and improving “quality of life.” The rich are attracted to the places built by the freaks, the heat and the noise of places like Berlin, New York, San Francisco, and then they strip the cities down to their stumps like an insect swarm, driving off any biodiversity until all that is left is people with money.

You are not standing in the London of today but in the London of forever, its pasts and its futures, real and imagined.

What saves you is a new story to tell yourself about how things could be.

…organizations that think of themselves as highly meritocratic tend to have more gender bias than organizations that do not.

“Our struggle today is not to have a female Einstein get appointed as an assistant professor. It is for a woman schlemiel to get as quickly promoted as a male schlemiel.”

Over time, she learned that there were certain adaptations she just couldn’t make if she wanted to stay true to herself. “I needed to be the same person at work and outside of work,” she said. “It was too stressful to try to be two different people.”

Every object has a different role to play. Not all clothes have come to you to be worn threadbare. It is the same with people. Not every person you meet in life will become a close friend or lover. Some you will find hard to get along with or impossible to like. But these people, too, teach you the precious lesson of who you do like, so that you will appreciate those special people even more.

When you come across something that you cannot part with, think carefully about its true purpose in your life. You’ll be surprised at how many of the things you possess have already fulfilled their role. By acknowledging their contribution and letting them go with gratitude, you will be able to truly put the things you own, and your life, in order. In the end, all that will remain are the things that you really treasure.

1. There is a much longer story about the horse show that I will doubtless tell each of you over a bottle of wine some time, which begins with Nick-the-horse dumping me onto a fence at our Friday lesson, such that his bridle came off and I still have a spectacular bruise on my right butt cheek, moves through a 2-hour drive to get a delightful Dutch breeder named Constanza from the showgrounds to the airport (we are fast friends now and I am invited to her farm outside Utrecht), and ends with me enjoying myself in a show ring for the first time, riding the kind of blissed-out, fluid round we can do at home but never before in front of a judge. “Shit,” Casey reports the trainer standing next to her saying of our performance: “they are laying down some good trips.” We were.

2. Once again I have been puzzlingly overlooked for a Macarthur – perhaps something to do with the fact that I haven’t actually written anything – but I was completely goddamn delighted with two of this year’s picks: my longstanding beloved Ta-Nehisi Coates (have you read his new book yet, why haven’t you read his new book yet), and my new fling Lin-Manuel Miranda. I’ve listened to the cast soundtrack of Miranda’s musical Hamilton approximately one gajillion times since it was released last week. It’s a masterpiece. There’s fine-grained, scintillating brilliance in the detail work, a pattern not so much sequential as unfolding ever outwards, revisiting themes to add nuance and complexity and shadow. But there’s also the straight-up shot to the heart of a staggering story, fiercely told. God, just listen. Trust.

3. Three audiobooks by dudes, of varying quality but interconnecting themes: the Oliver Sacks memoir, and then Laszlo Bock’s book about people ops at Google, and then Vaillant’s account of the Harvard Grant Study. You always think you can’t love Oliver Sacks any more, and then you do. People are so real and present and urgent to him. I wanted to be scathing about Bock but his sincerity and curiosity were hard to resist. (Like Maciej Ceglowski and Sebastian Stan, he grew up a communist; maybe that’s why all three seem to have an inner core of diamond-hard idealism. Easy enough to sneer at freedom when you’ve never been unfree.) Bock’s description of evidence-based everything has the distinction of being the first thing I’ve ever read that gave me the slightest interest in working at Google. Still slight, though. Weirdly, Vaillant’s book has made me yell at the car stereo a lot more than Bock’s did. The Grant study is an extraordinary, 75-year-and-counting longitudinal study of a bunch of college men. With this astonishing wealth of material at his disposal, Vaillant’s mistakes are both egregious (autism, for example, is not a “genetic lack of empathy” and fuck you George for saying that it is) and pervasive. The case studies are quite glorious, almost worthy of Sacks, but the conclusions I draw from them are very different from Vaillant’s. A delicious takedown in the Atlantic paints him as a deeply flawed man.

4. Three books by ladies, of uniformly high excellence: Marie Kondo’s Tidying Up is just as life-changing as advertised. Sparking joy is good but the part that clicked for me is the act of thanking your no-longer-needed belongings for their service. My medicine cabinet has never looked so spare. I put off reading What Works for Women at Work for months, afraid that it would make me feel (more) guilty, but in fact it’s one of the most validating books I’ve read in ages. Jessa Crispin’s Dead Ladies Project documents a sojourn in Europe in search of reasons to live. I am devouring it.

5. How is it even possible that I haven’t blogged about Steven Universe yet? There’s probably a German word for the first time your kid recommends something to you and you pay attention to the thing and you realize, Holy shit, this thing is really good. My kid found a good thing. SU is, for me and Claire, that thing. It’s a love letter from maker Rebecca Sugar to her younger brother, and from both of them to the beach towns where they spent holidays growing up, and to the anime they adore, and it’s also a fully realized world with compassionately drawn, three-dimensional characters. It is beautiful and wise and sane and also hilarious and adorable. It’s a love letter to all of us, and so’s Ta-Nehisi’s book and Lin-Manuel’s show and Oliver’s memoir, and I needed all of them, I needed all the reasons I could possibly find to get out of bed, I literally needed reasons to get back on the horse, and they came when I needed them and I’m so grateful.