Frank Lloyd Wright’s Marin Civic Center. This building, you guys.
It’s organic architecture, inspired by the Marin hills on which it stands.
Like Star Trek, The West Wing and Hamilton, it is a love song to participatory democracy and the dream of what humans could be.
It’s hard to believe your eyes.
Claire is at Star Wars again, Jeremy and Julia are with Yoz and Dexter and I am sitting in the house alone with the kittens and the clothes dryer! Amazing scenes.
I have become the type of mother that keeps a To-do list of holiday activities in Evernote; Ian accuses me of being “improving.” Monday we finished off the Christmas shopping – Desigual had a sale so the children made out like bandits, as you shall see. Tuesday we went ice skating, Wednesday we visited the Winchester Mystery House, which was more interesting than I had expected, and the Tech Museum of Innovation, which was slightly less. God love my little wolf pack, though; they can kill hours in even the most dated of science museums.
Christmas Eve we had lasagne at Jack’s house, and I made a very ugly pavlova; Christmas morning we went out for Claire’s birthday dim sum and then to Ian and Lisa’s for Orphan’s Christmas, where I made a very pretty pavlova. It was all very delicious and satisfactory.
Yesterday we finally made it to MoAD, which has terrific shows by Alison Saar and Kenyatta A. C. Hinkle, all about black women’s bodies and the pressure of history and the thorns and glass and glitter beneath the surface; and to the Contemporary Jewish Museum which had a great show full of robotics and color and light, of which the below was my absolute favorite.
I lay there for a while pretending to be an astrophysicist studying a white dwarf from a ship in zero-G while Jeremy and Julia came and went around me at interesting angles. I’ve checked off not-quite-half the items on my To-do list, and it’s been a terrific holiday.
Best capstone to a trilogy that, unbelievably, saw my OT3 made canon: Ancillary Mercy
Ann Leckie’s Imperial Radch series explores oppression both overt and covert, personhood and autonomy, cruelty and choice. It is also and very intimately about love and trauma and about the slow and painful process of recovering from having been used as a weapon. It is difficult and allusive and strange and I have seldom loved a story more.
Best memoir containing descriptions of the surface of living human brains: Do No Harm: Stories of Life, Death, and Brain Surgery
A few years ago Jeremy and I saw The English Surgeon, a beautiful documentary about Henry Marsh, and this book of his is an extraordinary complement, the effect of which is to make both texts deeper and richer. You walk away from the film thinking that Marsh is some kind of genius angel. The book is all about his fear, doubt and failures, failures that led to the deaths of patients he loved.
Best inspiration for a hit Broadway musical: Alexander Hamilton
Ron Chernow’s biography of the Founding Father is fantastic in its own right, but looking at how Lin-Manuel Miranda manipulated the timeline and even the construction of some of the main characters is a master class in creative transformation.
Best book whose first chapter will make you ugly-cry into your latte at Cafe St Jorge, to the mild alarm of your fellow guests: Voices from Chernobyl: The Oral History of a Nuclear Disaster
Svetlana Alexievich won the Nobel Prize this year but be warned: her stories about what actually happened in the aftermath of the explosion, and how social class dictated who suffered and who died, will fuck you right up.
Best and most moving farewell from a writer you have loved all your adult life: On the Move: A Life
What can I add to what has already been written about Oliver Sacks, his imaginative compassion, the generosity of spirit that grew so unexpectedly out of his privileged and circumscribed circumstances? Not much. (In close second place for this category: Clive James’ Cultural Amnesia.)
Best gift for your girlfriends of the crazy cat persuasion: The Dead Ladies Project: Exiles, Expats, and Ex-Countries
Disappointed in love, the brilliant Jessa Crispin packed up her apartment and couch-surfed her way across Europe, reading in search of reasons to go on living. A manifesto for all of us who are lost, lonely and ugly, outside and in.
Best book you bounced off hard as a stupid kid and now recognize for the straight-up masterpiece it is: Beloved
The insane, vindictive ghost baby? It’s us.
Best book-length elaboration on the theme that Black Lives Matter: Between the World and Me
Ta-Nehisi Coates’ open letter to his son may also turn out to be an enduring masterpiece, but for me the most intimate pleasure of it was its celebration of Paris, a city that for all its fucked-up flaws is one of the finest things human hands have made.
Best book that killed off my favorite character from the previous book in its opening scene: The Philosopher Kings
Jesus, Jo! This series is obviously written for the pure motherfucking joy of it, for the wish-fulfillment of standing shoulder to shoulder with the writers you adored and building a city even more beautiful than Paris. (And then finding out that you had overlooked some very important questions about personhood, autonomy, cruelty and choice.)
Most heartbreaking memorial to our own lost generation: And the Band Played On: Politics, People, and the AIDS Epidemic
An essential book and a companion to the equally essential The Gentrification of the Mind: Witness to a Lost Imagination, Randy Shilts’ history of the plague documents the appalling cost of it and the sheer inadequacy of our human response.
Most beautiful portrayal of raw grief: Men We Reaped
Five young men close to Jesmyn Ward died in four years, and this devastating meditation on their deaths brings their loss into razor-sharp focus.
Most accurate portrayal of Australia as an airless mining asteroid that turns men’s hearts to stone: This House of Grief
Helen Garner is our Janet Malcolm and this book is our Iphigenia in Forest Hills.
By the numbers:
Books by women: 7. People of color: 3. Gay men: 2. Straight white men: 2. (Is this the most charming sentence in Wikipedia? “Marsh is married to the social anthropologist Kate Fox and spends his spare time making furniture and keeping bees.” Kate Fox wrote Watching the English! BEST DINNER PARTY GUESTS.) I used to joke that I didn’t read books by straight white men because their concerns were too narrow and parochial, but it’s not a joke any more.
Australian writers: 1. Russian: 1. English: 3ish, although Jo Walton is Welsh and lives in Canada and Oliver Sacks spent most of his life in New York. American: 7.
Total books read: about 120. Either I am slowing down or I lose 30 books’ worth of capacity in each year in which one of my parents dies. Guess we’ll find out!
I feel no nostalgia for our childhood: it was full of violence. Every sort of thing happened, at home and outside, every day, but I don’t recall having ever thought that the life we had there was particularly bad.
She said that we didn’t know anything, either as children or now, that we were therefore not in a position to understand anything, that everything in the neighborhood, every stone or piece of wood, everything, anything you could name, was already there before us, but we had grown up without realizing it, without ever even thinking about it.
She seemed as usual to have no need of male attention. We, instead, out in the cold, in the midst of that chaos, without that attention couldn’t give ourselves meaning.
“I can hear people singing,” (and since I’m not allowed to listen to this playlist until after Thanksgiving) “it must be” Northern Hemisphere Midwinter Festival “Time.” Chrissie Hynde wrote this after The Pretenders’ first lead guitarist James Honeyman-Scott died of an overdose; as you’ll see, I like the sad carols. The ending of this song is sublimely 1980s; the band just repeats the chorus over and over until they end on a resounding chord. Jazz hands!
So much for being nondenominational: because I’m a lapsed Anglican nerd, I sometimes wonder whether Jonathan Coulton (suspicious initials, those) named his protagonists the Andersons because it means “Son of Man” and whether he chose Chiron because Chi-Rho was a Greek monogram for Christ. That said, the song works equally well as an anticapitalist anthem, with the robot overlords representing limited liability corporations. Oh, and it’s hilarious.
Mandatory, obvi. I usually start crying around “I could’ve been someone./ Well so could anyone.” Reminds me of when Rajit Singh returned our lost luggage and, years before that, when I met Shane MacGowan in Dublin, his broken teeth like tombstones on the red hills of his gums. I wish Kirsty MacColl were still alive.
This one makes me think of Jamey, who gave it to me, and of my mum, whose story it is. Tracey Thorn’s voice is a silver thread running through my marriage, from “Protection” as the anthem of our first year together to “Hatfield, 1980” for the summer we lived in Cambridge. Mum would have loved the lines: “We face down all the coming years/ And all that they destroy/ And in their face we throw our joy.” That was her basic rationale for all the mah jongg and Bailey’s.
Tracey’s Tinsel and Lights is such a great album that three tracks off it have landed on my playlist. This is a Joni Mitchell cover that earned its place for the lyrics: “I’m so hard to handle/ I’m selfish and I’m sad.” (No, YOU are.) I always think of Emma Thompson’s wonderful line from the mostly-reprehensible Love, Actually: “Joni Mitchell is the woman who taught your cold English wife how to feel.”
A Sufjan Stevens cover, but I heard Tracey’s version first so it’s definitive to me. I love the strangeness and sensuality of the lyrics – “I kissed your ankle” – and Sister Winter as darkness and heartbreak, but also as an intimate relation. I love the friends waiting patiently for the suffering heart to recover. Demeter and Persephone are here, and so is Jonathan Shay’s Odysseus in America with its call for the communalization of trauma.
Speaking of, that summer in Cambridge I wanted to hear the King’s College choir at last, but I was urged by a smiling Anglican to keep the girls behind the screen where we wouldn’t disturb the other congregants. Ah, the established church, ever eager to tuck its women and children away out of sight. Against that, though, set the pageant I attended at Holy Innocents in San Francisco, where the congregation discovered six-week-old Julia in her sling and urged me to take the role of Mary. I declined – I’m not that reconciled to my church damage – but I still have the tinsel crown Claire wore as a three-year-old angel. This strange old poem was given a mid-20thc setting by Elizabeth Poston. “It keeps my dying faith alive” – we’ll see, I guess.
Another silver thread through my life: My parents playing Steeleye Span when I was still too young to recognize the electric guitars and folk songs as incongruous with one another. Me carolling in York Street with the choir of Christchurch St Lawrence. Alex and I in Dublin discovering that we both loved this song. Maddy Pryor’s incredible voice was probably the prototype for my love for Kirsty Maccoll, Tracey Thorn and Vienna Teng. The ending of this song is ridiculously 1970s; the audio engineer just fades the choir out and you have to pretend that they’re walking away from you still singing.
This one makes me think of Salome, because sometimes we read each others’ minds. Talk about incongruity, the ukuleles and xylophones making it sound like a school play. Yet everything that makes the Northern Hemisphere Midwinter Festival important to me is here: the long dark, the beloved dead, the newborn baby, the terrifying angels and their incomprehensible message. The star and our journey.
The newest addition, which I heard for the first time live on Boxing Day last year at the Freight & Salvage, with Claire in my arms. I gave this one to Tina after we rode our bikes to the Forest of Wind Chimes at Wilbur Hot Springs and cried for Jen. “It’s the season of bowing our heads in the wind/ And knowing we are not alone in fear/ Not alone in the dark.” That’s all I got. Grace coming out of the void, for some reason. It’s so cold now but spring will come again. Not a metaphor: physics.
preoccupations